The 20th century brought a new dilemma to the public eye – how to consume media. With the advent of the movies, television and radio, people could now watch or hear rather than read stories about starlets, cowboys, and the future. And three models of production were put in place – pay per physical product, “free” listening, and (eventually) a subscription cable model. We can now look at movies, books, and radio programming as comparable products because of how much they influence each other’s content today. They are all easily accessible online. Yet if these objects are related, why were there such drastically different means of obtaining them? And what does it mean now that they’re starting to be sold in the same way?
In the beginning it made sense. The printing press was designed to create distinct manuscripts for individuals through mass production. And this idea has carried on for nearly 600 years – until today. With the advent of Amazon’s inclusion of a free monthly book rental as part of their yearly Prime subscription service, the development of Spotify, a subscription music service that allows you to create a music library within their program, and Netflix for movies it seems like other media industries are all taking a tip from cable and realizing the gains they can get from letting consumers passively pay for media. Continue reading “Fixing a Subscription Based World”